Recording is like a time warp

I’ve been spending as much time as possible for the last week or so in the studio recording guitars for a new album. And as much time as possible over the last week has averaged somewhere between 8-10 hours a day.

I love recording. For me, it’s the next best thing to actually writing songs, since the approach I take is basically to start by laying down a scratch track of the main guitar part and the vocal line, and then add/replace/write/keep/throw away/experiment with different stuff until the each song sounds “done” (artistic “done” could be a whole book on its own).

I’m pretty good at composing additional parts on the fly while tracking, and I like to think I’m pretty good at figuring out what each song needs and adding it. There’s a psychological theory of subjective experience called Flow Theory, based on the work of Mihalyi Csikszentmihalyi, which describes a experiential state called “flow”, in which you feel optimally creative and productive, experience distorted perception of time, and feel stimulated. For me, recording in the solitude of my own space is a recipe for flow, and the last week has felt like I’ve gone through a time warp, coming out the other side feeling as if only a couple days had passed. It’s awesome and just a tad disconcerting.

Csikszentmihalyi proposes that the flow state is primarily produces by being engaged in a task that is significantly challenging, but also being significantly skilled in the relevant area; a coincidence of high challenge and high skill. When the challenge far exceeds the skill, anxiety results. When skill far exceed challenge, boredom.

I think this provides a pretty good explanation of why I experience the recording process the way I do. I have a pretty decent ear, and so the standard I aspire to before I call any take a “keeper” is pretty high, so the challenge it great. However, I also have a decent amount of skill in composing, arranging, and performing, so I can usually rise to the challenge.

What’s interesting is that sometimes I’ll hit a roadblock where I just can’t get it. Snaps me out of flow like poking a soap bubble, and I get at once anxious and really frustrated. That’s when I take a break!

The diagram below shows the flow “channel”.

This is one of the coolest theories I studied as a psych major. I’d be interested to know what other people have experienced in terms of activities or contexts that lead to a flow-like state.

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My brief thoughts on SOPA/PIPA

I took my time before speaking out about SOPA/PIPA. As an artist and a defender of individual rights, including intellectual property rights, I really had to look into this before deciding what I thought. I think these are abhorrent bills that attempt to protect intellectual property by stomping individual rights.

I’m not too much of a networking guy, so I’ll let others argue the technical consequences (fractured Internet), but I’ll stick to the principled argument: that this is an enormous infringement of individual rights and that you can’t protect one individual right (intellectual property) by demolishing that which it presupposes (freedom of expression).

Google’s petition makes it easy to oppose, and if you go to Wikipedia today they’ll also help by giving you phone numbers for your representatives (and links to web contact forms, which some of us prefer). If you value individual rights, and want this staggering act of censorship to be stopped, take a few minutes today and make your voice heard.

Google Petition

Wikipedia page about individual rights (try it today [01/18/12] and you’ll see)

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CDs at shows!

I recently realized that with all the music I’ve recorded, and released online, I’ve never sold any actual CDs of my tunes. This has to change! I’m really excited to announce that CDs will be available at my upcoming shows, and here’s what they’ll be:

For the CD project I’m going to do a re-release of some material that’s been available online, but this time as a coherent set of what I consider to be my best songs. The songs I’m most proud of. The songs that I want to represent myself as an artist and writer.

Of course, since I’m an artist and writer, I don’t have a truckload of money to throw at the project, so I’m going to be doing the classic musician thing, getting resourceful, and putting together a funky, unique, and artistic package. This means a bunch of cool stuff: recycled card stock CD wallets, hand-stamped artwork, y’know, real artsy fartsy stuff along those lines. And I’m psyched for it.

I’ll put up another post with the tracklist and a photo of the actual product soon enough, but for now, head over to the tour page and mark your calendar, cuz there will be CDs for sale at my upcoming shows!

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Idea #2: Studio album

The other idea I’ve been mulling over lately is that of doing a full-blown studio album. A short studio album, but a studio album none the less. For a while I’ve felt like I’ve pretty much hit the limit on the production quality I’m able to achieve on my own, and for some of my most polished songs, I just feel like they deserve the full treatment. That is, booking time in a legit recording studio (you know, with a professional engineer, picking a select few (say, 6-8) songs, poring tirelessly of the instrumentation and arrangements, and shelling out the big bucks for that current, clean, radio-ready, just-compressed-enough sound.

Sounds good, doesn’t it? But somehow, it just doesn’t have the folklore allure of the river house album idea. But maybe that’s just me defaulting back to my DIY indie-to-the-core ways.

What would you prefer to hear?

Do you think I’ve been lacking the luster of a professionally-produced recording?

I’ve got some more developed concepts for the studio idea (album name, tentative track list, cover art concept, etc), but I’ve got to keep something waiting in the wings. ;-)

But for now, what’s your overall impression of this idea as it relates to my character as an artist?

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